Showing posts with label stage mom. Show all posts
Showing posts with label stage mom. Show all posts

Friday, March 22, 2013

The Comparative Society

High school English teacher and poet, John Wooden (1, 2), also known as the highly successful, 27-year coach of UCLA basketball from 1948 to 1975, learned from his father that the key to success was never to compare oneself to others.

Compete only with yourself, Wooden the son would tell his players, by striving to do better than you did yesterday, last month, or last hour. During halftime Wooden would often not even talk about the other team, only about how each of his own players could improve in the second half.

Focus on bettering oneself, says Wooden, is what builds confidence, poise, and integrity, not to mention winning ball teams.

A “competitive society” is what most think our pseudo-capitalistic economy today is and beating the other guy—the ultimate comparison—is what competition supposedly is all about. But economic competition, as I have written before, is precisely the comparison-free bettering of oneself that Wooden describes.

Capitalism is a system of social cooperation where everyone wins by trading value for value. Entrepreneurs do not spend their days and nights thinking about how to beat the competition, but about how to improve their products and make them more affordable. Winning large market share is consequence of the focus on improvement, not the goal. Wooden would certainly concur with this description of economic competition.

In today’s obsessively comparative society, beating others shows up everywhere, especially and unfortunately in areas that relate to children. We have tiger moms forcing their children to take the “right” courses, attend the “right” schools, and play the “right” musical instruments. Why? To keep up with the Joneses, or rather, more specifically, to do better than the Joneses.

Our entire educational system, through grades, exams, and degrees, is institutionalized comparison. The no-child-left-behind act has merely ossified the system by making teaching to the test virtually mandatory and pushing advanced topics to lower and lower levels, such as algebra in sixth grade and reading and writing in kindergarten. And, of course, requiring lots of officiously mind-numbing busywork, usually called homework.* Why? American test scores are lower than those of the Japanese. We must be better!

“Pushing to lower levels,” meaning to younger ages, is not the prerogative of our education system. Organized youth sports continues its trend of putting younger and younger children through increasing hours of practice and game playing, week after week after week. Why? We have to be better than the other guy, we have to get our kids scholarships to get into college, and we have to prepare them properly, starting at the youngest age, or they won’t be able to compete at the high school or college level.

Indeed, education and youth sports share a similarity: both are dominated and controlled by adults. Traditional education systems, as Ken Robinson has amusingly pointed out, are created by college professors, which means their ultimate goal is not to meet the needs of students, but to turn out more college professors just like them.

Organized youth sports are organized and operated by adults for the sake of their own, adult needs. If the sports were organized for the children, fun and development would still be the primary goals. For many youth sports today, winning has become the only thing.

In education much can be accomplished by turning learning activities over to the kids. Hole-in-the-wall experiments conducted by 2013 TED Prize winner, Sugata Mitra, have spectacularly demonstrated how children can eagerly and without adult supervision teach themselves.

In a New Delhi slum, Mitra literally put a computer in a building wall, then walked away. The slum children, who had never seen a computer before, not only learned how to use it, but also learned English and, in other experiments, learned all about DNA! Most of the teaching came from each other. Minimal facilitation by grannies, not Oxford- or Cambridge-trained instructors, are all that has been needed to increase the learning.

If “truth is what works,” to borrow a much-reviled phrase from William James, then removal of the comparisons of grades, exams, and degrees in education seems to work. It works in Montessori schools. It works in hole-in-the-wall experiments.

Now if we can only implement the Wooden philosophy of removing comparison in sports. Regrettably, short of a return to the sandlot where kids are in charge, this does not seem likely.

When enormous amounts of money drive sports at the college and professional levels—twelve times as much money, for example, spent on athletes in one athletic conference as on academic students—can anyone seriously expect parents to turn their backs and say, “Let’s just do it because it’s fun”?

Perhaps what we need is to encourage more English teachers and poets to become coaches!



*This is not to say that advanced math and reading and writing cannot be learned at early ages. Montessori schools, by adapting the topics carefully to stage of development, inspire early learning every day, and without homework. But our traditional public and private schools do not teach via the Montessori method. They use the carrot and stick—grades, exams, and degrees—as motivators. Independence is not their goal. Obedience to authority is.


Friday, February 22, 2013

On Killing Creativity

To create something means to come up with something new, to rearrange existing objects or ideas and put them into a form that has not been done before. Everyone is creative because learning is the process of acquiring new knowledge, values, and skills by rearranging what we already have in our minds and integrating that content with what we are acquiring. When we learn, we craft new concepts, principles, values, and skills.

How creative each of us is varies and the process can be, and often is, stunted and destroyed. Some cultures are known to be more creative than others. For example, the Japanese education system produces students who score higher on standardized tests than Americans, yet American students and American culture are said to be more creative. How has this come about?

Ken Robinson, in a 2006 TED talk and, later, in his book The Element argues admirably that creativity should be just as important an objective of education as literacy and that our current one-size-fits-all system destroys it. This is the progressive idea of focusing on and stimulating the individual’s interests and therefore the individual’s imagination and inventiveness. It is this progressive influence in education and, no doubt, the overall non-authoritarian atmosphere of American culture that has allowed Americans to be more creative.

Robinson, however, like the progressives, erroneously clings to the government as supplier of education and blames the rise of  “one-size-fits-all” on the so-called factory model. Yet, it is precisely the government and all forms of authoritarian control that arrest and prevent imaginative thinking.

Government bureaucracy, using government guns as its means of control, only knows one-size-fits-all. In education, that calls for a core curriculum and both types of grading: evaluation and age-sequencing. Catering to needs and wants is something governments cannot do, or do very well.

As discussed in last month’s post, any type of physical force, trauma, neglect, or emotional abuse, severely hampers the development of self-esteem and independence. Without high degrees of these traits, children and adults become fearful of risk-taking experimentation—that is, they fear making mistakes that might be disapproved of and vilified by those who have been forcing, traumatizing, neglecting, or emotionally abusing them.

It was progressive educator Maria Montessori who realized that choice was crucial in the development of self-esteem and independence Her method of education, as a result, allows a maximum of choice in a structured environment. Montessori children who move on to more traditional schooling are known for their confidence and creativity.

Freedom to choose, which means freedom to make mistakes without fear of criticism or denigration, is the key to encouraging original thinking. Dictating to children—whether by parents, teachers, coaches, tiger moms, or stage moms—what the children must think and do is nearly as stunting and destructive as hitting or beating them.

In organized youth sports, the fear of making mistakes and lack of creativity and imagination has been pointed out by former National Hockey League star Wayne Gretzky. Lamenting today’s excessive control and domination by adults, Gretzky finds the origin of hockey creativity on the adult-less pond of yesteryear. In the current environment, he says, if kids are sent to the ice to play a scrimmage, the first thing a child will ask is, “What position do you want me to play?” The pond, Gretzky’s point being, as was the sandlot in the earlier days of baseball, was what taught kids how to make their own decisions. Today, they must bow to the dictates of the adults in charge, lest they be criticized for going against a coach’s system. The quality of play becomes cautious and mediocre, and often not fun.

The killing of creativity can be subtle and performed by apparently well-meaning adults. The premise of demanding obedience to authority can be expressed quietly and without obviously abusive techniques. It stems from the denial of choice. A parent, teacher, or coach who criticizes a child’s mistake and singles the child out as an example to others is demanding obedience to authority. The message to children under such a leader’s watch is that cautiousness, not imagination and creativity, is the path to the adult’s approval.

The well-meaning adult thinks that such criticism is what teaching is all about. But allowing mistakes and, as Montessori demonstrated, saving the correction for another time when a new teaching moment arises, are what build the foundation of creativity: namely confidence, self-esteem, and independence.

All forms of demands for obedience to authority, whether physical or mental, blatant or subtle, must be rejected.


Friday, October 12, 2012

“Miniature Adults,” the Marketing Concept, and a Montessori Approach to Organized Youth Sports

Being aware of and catering to the needs and wants of customers is the essence of marketing. The textbooks call this the “marketing concept” and emphasize that everyone in a business, from the president down to the lowliest stock person, should not make any decision or take any action without first considering the effects of the decision or action on customers. Contrary to what Marxists and leftists of all types say, it is through customer satisfaction that businesses earn their profits.

But the marketing concept applies to any organization that has constituents—nonprofits, as well as governmental agencies. The broader principle says simply: acknowledge and, to the extent possible and appropriate, satisfy the needs and wants of the person with whom one is interacting. This is not some self-sacrificial duty. Rather, it is the good manners of recognizing another person as an individual human being.

The problem is that many people, to use a popular expression, “get so caught up in themselves and their own egos” that that they become incapable of seeing life from another person’s perspective. The consequence of this type of behavior is inconsiderateness and disrespect. The problem is especially prevalent among parents and teachers in relation to young children, exemplified in acute form by adult attitudes in organized youth sports.

Bob Bigelow, former professional basketball player, has nailed this phenomenon in his book Just Let the Kids Play. As the title implies, the rise of elite or select teams in organized youth sports—those teams that hold tryouts and cut less effective players when better ones are found—has robbed youth not just of the fun of playing a sport, but also the chance of developing into a talented athlete later in adolescence.

With astute turns of phrase, Bigelow states: “The worst thing we adults do in youth sports is to forget that these players are not miniature adults or high school stars in some kind of larval stage. They are children, with bones that have yet to develop, with minds that are not thinking the same way that we are thinking” (pp. 107-08). And, because these teams are all organized and managed by adults and often include travel out of town, out of state, and perhaps even across the country to play games on a schedule that would exhaust an adult professional team, Bigelow quips: “Parental egos and a full tank of gas—a frightening combination” (p. 111). Some of these teams consist of children as young as five!

The notion that children are not small adults comes from developmental psychology and was championed by Maria Montessori. Children have needs and wants that vary widely by age and most particularly differ from those of adults. The Montessori approach to education adapts learning to the appropriate developmental stage while giving the child as much independence and control in the learning process as possible. Bigelow, without any mention of Montessori in his book, urges the same approach in youth sports.

As Montessori hands over much of the teaching and learning to the children, Bigelow recommends the same for youth sports. For example, recalling the days on sandlots where no adults or coaches were present, children played, made up their own rules, and coached each other on the field. To bring this spirit back into organized youth sports, Bigelow recommends that baseball and softball players up through sixth grade should be the coaches on first and third bases, an idea that would turn most adult coaches today apoplectic!

His main point is that adults need to back off because development in athletics does not really blossom until after puberty. (Former National Basketball Association star Michael Jordan did not make his varsity high school team until junior year.) Playing on an elite team at five or eight or ten does not give anyone an advantage, but getting cut from such a team at five or eight or ten sends a clear message to the child that he or she is not good enough. Nothing could be further from the truth. Many a coach, as Bigelow points out, has seen uncoordinated freshmen and sophomores become stars in their junior and senior years.

It is a myth and a shame, as he puts it, that so many adults think “more, more, more” at a younger and younger age means better. It does not. It may mean overuse injuries and burnout. It may mean, as one young man told Bigelow about his experiences with youth hockey, “[It] stole my childhood.” The young man started learning to play hockey at age three and quit at thirteen because he hated it. Subsequently he became estranged from his father who had driven him to every practice and game.

Bigelow’s book zeroes in on what I have examined before: the stage parent syndrome (1, 2, 3). Stage parents push, that is, coerce, their children to do what the parents think their children should be doing. Often, the parents live vicariously through their children’s accomplishments. What parents are unaware of in this process is their children’s physical, cognitive, and emotional needs. The adults’ actions are all about the adults.

Not that adults do this deliberately or in a mean spirit. Most think they are doing what is best for their children . . . but the science isn’t there. Multiple sports experiences and free (unsupervised and unorganized) play produce better perception and decision making among elite athletes. The needs and wants of youth are to have fun. Just as fun should be the goal of any career one chooses to pursue, fun should be the goal of all sports, whether at the high school, college, or professional level, but especially at the youth level.

Youth sports is about the kids, not the adults.


Thursday, February 17, 2011

Tiger Mom or Stage Mom?

The recent hullabaloo over Amy Chua’s Wall Street Journal article generated at least one response identifying a similar obsession in American moms. Chua, who acknowledges that her behavior is not unique to the Chinese, coerced her daughters, often punishing and shaming them in numerous and, to many Americans, shocking ways, to insure that the daughters would be the top in their classes and play the “right” musical instruments. The American version emphasizes child beauty pageants, various sports competitions, and after-school SAT courses to game the test and insure acceptance to the “right” colleges. In a previous post, I touched on the achievement-by-proxy motivation of the stage-mother syndrome. Both kinds of parental behavior go by the old-fashioned name of authoritarianism.

The “stage mother” concept illustrates the possible consequences of such an overbearing parent and the Broadway musical Gypsy eloquently dramatizes what can happen. In the musical Rose, the mom, drags her two daughters, June and Louise, from city to city to perform in vaudeville shows. Disliking the pressures of the business, June elopes. Later, as vaudeville begins to wane, Louise stumbles onto a talent for striptease, taking the name and becoming the famous Gypsy Rose Lee. The mom is devastated and in real life—the musical is based on the memoirs of Gypsy Rose Lee—becomes estranged from her two daughters for many years.

The psychological consequence of authoritarianism is either rebellion or submission. Rarely is there anything in between. In Gypsy, June and Louise reflect the former reaction to the coercion of their mother. Submission means going along, losing one’s independence and individuality, seldom being able to pursue one’s own interests because of the demands of the activity and parent. Burnout in sports is well known, usually occurring in high school after years of pressured practices, perhaps year round, that began at the age of six. Parents of these pressured kids assume that nothing is wrong, because the child seemingly goes along with all of the practices and tournaments. The parent may even claim that his or her child is having “so much fun.” An outside observer, however, may be compelled to raise an eyebrow and ask, “Is she?” Objectivity may be lost even on well-meaning parents in today’s pressure-cooker life.

There are, of course, exceptions to this overbearing parental control. My brother is a professional musician who began playing the piano at age five, gave a solo recital at age eleven, and practiced something like six hours a day in high school, at one point getting two hours of practice in before school in the morning. I don’t recall a single time in which he was forced by our parents to practice. So did his talent and drive come from our parents? No, we were a blue-collar family and our parents’ musical talent amounted to singing hymns as members of the church congregation. My brother’s motivation was all internally generated. (This is not to say that our parents were not authoritarian. They were, but in other areas of our lives.)

In addition to the strident obedience to authority that the tiger-mom, stage-mom syndrome exhibits, the values pursued are insipidly conventional. Why only piano or violin, as Amy Chua insisted? There are great tuba players in the world and they perform the great tuba concertos. Would it be so terrible if your child played the tuba? Or the banjo? Or did not want to learn a musical instrument at all? The answer is that it would be terrible . . . to the parents’ pseudo-self-esteem. And that is what this hubbub is all about.

The “right” musical instrument, the “right” sport, and the “right” college are right only if the child, not the parent, given family finances, chooses them. The parent may be consultant, cheerleader, and chauffeur, but not dictator over what the child should pursue. Independence and individuality require making one’s own choices and pursuing one’s own chosen values, sometimes in the face of opposition or expressed doubts of others. Success, accomplishment, and self-esteem all result from having done it “my way.”

Playing the “right” musical instrument, the “right” sport, or getting into the “right” college  are doing it the Jones’ way. Keeping up with the Joneses and fearing what the Joneses might think are what the tiger-mom, stage-mom parent is most concerned about. This is a prescription for dependence.

Friday, January 14, 2011

Yes, There Is Crying in Softball

In youth sports these days, a favorite refrain from adults, especially male coaches, is “There’s no crying in . . . [name the sport].” The phrase, taken from the 1992 Tom Hanks movie A League of Their Own, has even come into the vernacular with people now saying “there’s no crying in . . . [name the profession].” Certain phrases that become common can be charming, such as “where’s the beef?” or “it’s time to make the donuts,” but this one about crying is not just hurtful, its speakers are woefully unaware of psychology and the full context of the source of the phrase.

Let’s take the source first. Coach Jimmy Dugan, the Hanks character, screams criticism at one of his players for making a mistake. The player, a member of a World War II all-women’s baseball team, cries. Coach Dugan continues to scream, this time in disbelief, and recites the famous line.

A few points about this scene need to be remembered. One is that coach Dugan, who enjoys the bottle, has a less than savory character. Another is that during the screams, Doris, a character played by Rosie O’Donnell, tells the coach to leave Evelyn (the crier) alone. Then, the umpire follows up with this advice to the coach: “Treat each of these girls as you would treat your mother.” At which point the Hanks character lets out an X-rated remark to the man in blue and is promptly ejected. The scene concludes with Doris happily and proudly asserting herself by saying, “I’m in charge now.” The phrase “no crying in baseball” is hardly endorsed as admirable.

So why do so many people, especially men, like to recite this line? And why do they say it to younger and younger kids, especially nine- and ten-year-old girls, playing softball? Does no one remember the 1993 movie In The Line of Fire in which Clint Eastwood, playing a secret service agent, cries on screen? Real men, I’m tempted to say, in the late twentieth and early twenty-first centuries do seem to cry and it seems to be okay. Why isn’t it okay for nine- and ten-year-old girls to cry?

The answer is that many men are embarrassed by crying. They see it as a sign of weakness and will do anything to avoid crying themselves, especially in front of anyone close to them, such as their wives, and certainly not in public. If they are in charge of a sports team and one of their players begins to cry, they become uncomfortable, worrying about what everyone else in the area—parents, opposing coaches, umpires—may be thinking of them. They feel compelled to do something, to fix the situation, hence the exhortations about not crying.

But crying is a sign of pain, not weakness. Striking out for the last out of the inning or making a mistake on the field can be just as painful as taking a line drive on the knee. Pain requires comforting, not rebuke. Telling anyone, especially a child, that it is wrong to feel something only encourages psychological repression, which can lead to a muted emotional life as an adult and unpleasant, angry emotions coming out at the wrong time or place.

There can be complicating factors in the situation that needs to be fixed. A shortstop or pitcher must get out on the field, but is still crying over her strikeout, and the umpire is urging the coach to keep the game moving. However, there are alternatives to rebukes and sending an upset girl to the field with the clichéd line to “shake it off.” Comforting words and a request from the umpire for thirty more seconds can do wonders for the pain of the strikeout and perhaps turn coach into a hero of a ten-year-old girl, maybe even of some of the parents in the stands.

There are also other ways of responding to the “no crying in baseball” line of coach Dugan’s. Why is it just crying that should not be a part of baseball? Why not other emotions, such as laughter or anger? I’m tempted to approach coach Dugan and say something like the following, in disbelief, of course: “Hey coach. Are you angry? . . . You’re angry?? . . .There’s no anger in baseball!”

Sports, especially the youth variety, would probably be a lot more fun if adults abided by that admonition. And if the popularity of this new phrase were to spread, we would soon be saying, “There’s no anger in business . . . or politics . . . or education!” And what about laughter, reducing the argument to the absurd? Can we not also say, “There’s no laughter in baseball!”

The point of this post is that emotions have their place in life, which includes sports. Emotions should not be denied.

Monday, May 18, 2009

On Extrinsic Motivation, Bureaucracy, and the Stage-Mother Syndrome

Carrot and stick motivation, especially the latter, as opposed to communication, persuasion, and appeals to inner values, are alive and well in today’s world. The question is, why are such extrinsic sources of motivation so common? A number of reasons can be given.

For example, in the academic world of professorial tenure, faculty can almost never be fired. As a result, some administrators and chairs resort to stick tactics such as making meetings “mandatory,” providing sign-in sheets to yield evidence that faculty attended, and reciting stories like “back when I started to work in business, I said ‘yes sir!’ when the boss requested something of me.” None of these work and they certainly do not endear the administrators or chairs to faculty. In rare cases, professors have been docked a day’s pay for not attending a meeting or returning from a conference a day late. Needless to say, this tactic is even less endearing. Why do administrators and chairs feel they must wield these sticks?

The easy answer is that people tend to do what they were taught by their parents and significant others. And extrinsic, coercive methods of motivation continue to dominate our culture. But the academic world, especially the state-run university, is bureaucratic. Its management is top-down with myriad rules and regulations to guide lower-level decision making. Bureaucracy is the means by which government bureaus are run. In contrast, business management is bottom-up with policies derived from the needs and wants of paying customers and the requirements of making a profit. Employees are often viewed metaphorically as intermediate customers who perform valued services for management. Coercing and talking down to employees can lead to unhappy customers and unpleasant bottom lines. The profit motive, an extrinsic source of motivation for entrepreneurs, ironically encourages appeals to inner values in employees.

Bureaucracy encourages a legalistic, rule-bound mentality. It says, in effect, you can only do what has been codified. This leads to the generation of hundreds of thousands of rules and laws to control behavior, coupled with the impossible-to-follow proviso that ignorance of the law is no defense. This is why the bureaucratic state has become the modern form of dictatorship, a system of excessive law. A truly free society, on the other hand, says you can do whatever has not been codified, i.e., you can do whatever you choose provided you do not violate the rights of others. Rules and laws are few and they are abstract principles. Communication, persuasion, and appeals to inner values become the primary means of relating to others. Intrinsic motivation is allowed to develop.

In addition to the external structure of bureaucracy as spur to extrinsic, especially stick motivation, an insecure psychology has to be another source. Local organizations, such as youth sports leagues, that issue edicts to parents that meetings or practices are mandatory, vacations are expected to be given up for sake of the sport, and games may be forfeited if a snack-bar work commitment is not met, are certainly pushing the limit of respectful communication among adults. Not that one should issue such edicts to children either.

The question is, why do the leaders of these organizations talk to other adults this way? The easy answer again is probably that they do not know better, as they have never learned alternative communication techniques. But for some the reason may be deeper, a psychological need to live the sport through one’s children to compensate for their own failings in the sport earlier in life. It is called achievement by proxy. As a result, such stage mothers or fathers—little league parents—push everyone hard, especially themselves and their children, and they brook no excuses for failing to make practice or the snack bar. Nothing is more important than the sport and they assume everyone else should have the same values. They become blind to the needs of others, especially the needs of their children.

The push for longer and longer seasons for younger and younger children, along with an apparent obliviousness to youth injuries, probably stems from this compulsive psychology. But then a similar psychology also probably operates in some (or many) bureaucrats who seem to need to prove something about themselves by issuing new edicts—new rules or laws. The more rules or laws with their names on them, the better they feel. And stick motivation seems to be all they know.

Extrinsic motivation can have its place in appropriate situations, but an excessive use of it, especially the stick part, often becomes a power trip. Appeal to inner values is the better way to go.